Maybe you all can help me understand

There’s a page on the WGA site that has contacts. On the right, under writers - go to tools and then click Guild-Signatory Agents and Agencies. The list won’t be up until September. But it will have current contacts to send your Queries too.



The best thing to do is to send a Query letter to production houses and agents. Asking if they want to read your script. Forget about directors and companies like William Morris. They simply won’t do it without INCREDIBLE contacts. There is a guide for production companies, I think this is it: <LINK_TEXT text=“http://www.amazon.com/exec/obidos/tg/de … s&n=507846”>http://www.amazon.com/exec/obidos/tg/detail/-/1928936393/qid=1121485150/sr=8-1/ref=pd_bbs_1/104-0594613-6827169?v=glance&s=books&n=507846</LINK_TEXT>



Or try here - http://www.storyscribe.com/hcd001.html



Here’s the blurb -



The Hollywood Creative Directory, known as “the phone book to Hollywood,� has been the authoritative source of information for and about entertainment industry professionals for fifteen years. Our comprehensive listings include addresses, phone and fax numbers, emails and Web sites, staff names and titles, and select television and film credits. Our books, can be found on the desk of every studio executive, director, producer, writer, and actor in the entertainment industry, as well as in college and university libraries.



• 11,000 Producers and Studio & Network Executives

• Producers, Studio & Network Executives

• Studios and Networks

• Film and TV Executives

• Independent Producers

• Projects in Development

• Over 1,750 production companies, studios & networks

• Includes addresses, phone & fax numbers, staff & titles

• Also selected credits and companies with studio deals



Looking for a producer? The Hollywood Creative Directory is the bible of the film and television industry. Thoroughly researched and meticulously compiled, the directory lists up-to-date information on producers, studio and network executives. No one working in Hollywood or trying to break into the film industry should be without this book.